Personnel: Joni Mitchell (vocals, guitar, piano, keyboards); Joni Mitchell; Stephen Stills (vocals, various instruments, guitar); Tommy Scott (clarinet, reeds, woodwinds, saxophone); Tom Scott (reeds, woodwinds, wind); Wilton Felder (bass instrument); Bobbye Hall, Bobbye Porter (percussion); Graham Nash (vocals, harmonica); James Burton (guitar, electric guitar); Bobby Notkoff (strings, percussion); Russ Kunkel (drums).
Recording information: A&M Studios, Hollywood, CA.
Photographer: Joel Bernstein.
Unknown Contributor Role: Stephen Stills.
Between the stark, confessional singer-songwriter format of BLUE and the artful, streamlined jazz-pop of COURT AND SPARK, Joni Mitchell released this excellent transitional album. Located firmly between these stylistic poles, FOR THE ROSES looks to Mitchell's folky beginnings with wistful, piano-driven ballads like "Banquet" and the acoustic guitar lilt of the title track. At the same time cuts like "Cold Blue Steel and Straight Fire" push toward the unconventional melodies and rhythms--heavily influenced by jazz--that she would explore more fully on albums like HEJIRA.
"Electricity" and "Let the Wind Carry Me" blend singer-songwriter styles with jazzy flourishes (as on the saxophone accompaniment and swooping wordless vocals on the latter), while the record's hit single, "Turn Me On I'm a Radio" is breezy, harmonica-driven pop. But while the styles diverge, Mitchell's lyrics are sharp as ever, exploring human relationships with a storyteller's eye for detail and a poet's feel for phrasing and image. The sense of painful, incisive honesty that comes across on BLUE is here as well, contributing to this exceptional, often overlooked gem in Mitchell's discography.